Debtocracy (Χρεοκρατία (Chreokratía)) est un film grec documentaire sorti en avril 2011 de deux journalistes grecs : Katerina Kitidi et Aris Hatzistefanou. Le film traite principalement de la crise de la dette grecque de 2010, et prend pour exemple le cas de l'Équateur, et montre comment ce pays a réussi à s'en sortir grâce à un audit de sa dette et en répudiant une partie de sa dette.

Les fondateurs du projet Debtocracy soutiennent que la Grèce doit suivre la même voie en commençant par créer une commission d'audit de la dette souveraine^[1] puis en sortant de l'euro.

Diffusé en ligne sous licence Creative Commons CC-BY-SA 3.0 depuis le 6 avril 2011^[2], le film a connu un vif succès en Grèce. Près de 500 000 personnes ont visionné le film une semaine après sa sortie sur Internet, plus d'un million quelques semaines plus tard. Le projet a été intégralement financé par des donations.

Cédric Stevens (Discrepant,BE) performing "Riding the Core": an excursion in electric phenomenons using only electrical devices: guitar, home made analog modular systems & minimoog (no computer on this one!

"this concert is organized to celebrate the imminent release of the anthology of Cédric's work under the "Syncopated Elevators" banner that he used to develop his own musical language in the avant garde field: Cédric Stevens "The Syncopated Elevators Legacy '97-'05" to be released on Discrepant in april and containing an extra album with remixes from Fennesz, Leyland Kirby & Burning Star Core among others.

...a subliminal toy crash

http://discrepant.net/

https://www.facebook.com/pages/Acid-Kirk/311112060436

https://www.facebook.com/pages/South-Of-No-North-OFFICIAL/159967320715552

Version:1.0 StartHTML:0000000192 EndHTML:0000006921 StartFragment:0000002849 EndFragment:0000006885 SourceURL:file://localhost/Users/isabelclauss/Desktop/texte%20crocus_d%C3%A9ga(2).doc

Cr0cUs (fr)

duo saxophone, electroniques

Bidouillage de sons, traitements électroniques sur un saxophone utilisé plus comme source sonore que comme instrument  mélodique. Le duo développe des paysages sonores étirés et progressifs à la manière d'une B.O pour films imaginaires.

Jb RUBIN: saxophone, effets

gilles GAUVIN: electroniques, effets

http://www.wix.com/gilgauv/audiofragments#!workinprogress

Collectif Déga! (fr/be)

Depuis 2004, ce collectif basé à Lille regroupe des musiciens, vidéastes, comédiens, plasticiens, autour de projets pluridisciplinaires et multiformes.

Favorisant le mélange des genres et l'improvisation, ils développent  depuis 2004 des formules basées  sur les intéractions  entres ces composantes sonores et visuelles.

Résultat de résidences de recherches et de créations, chaque prestation tient plus de la performance que du concert traditionnel. Les différents médias utilisés immergeant totalement les spectateurs dans leur univers.

S'inspirant tout autant des scènes free-jazz, rock, électronique et noise, ils  créent autant pour les scènes musical que pour le spectacle vivant, un résultat unique.

Gilles GAUVIN : basse, contrebasse, electronics

Philippe MARTINI : vidéo

Jason VAN GULICK: batterie, percussions.

Jean–Baptiste RUBIN : saxophone

http://soundcloud.com/jason-vendredi13/i-think

Arrington de Dionyso (b. January 4th 1975) makes trans-utopian world music for a world that exists in fever dreams and hallucinations. Using performance and visual art, he traverses the nameless territories held between surrealist automatism, shamanic seance, and the folk imagery of rock and roll. Ecstasy vs. Madness.

De Dionyso's most recent project, Malaikat dan Singa, is a trance-punk outfit f...eaturing bass clarinet, guitars, multiple drummers and his trademark wild vocals (multi-spectral harmonic THROATSINGING combined with grunts, yelps, and barks) -this time, all sung in Indonesian. Malaikat dan Singa translates as "Angels and Lions," and de Dionyso's Indonesian lyrics combine mythology and fantasy with haphazard translations of poet William Blake on the debut Malaikat album. The project, however, ultimately defies a clean translation. Malaikat dan Singa gains power by crossing boundaries -- both linguistic and psychic. On the one hand, the Indonesian language allows Dionyso to communicate on levels more deeply subliminal than those accessible in his native English. On the other, he reaches his growing Indonesian audience with his eccentric brew of ecstatic lunacy and prophetic madness, clarified to perfection during his 15 year tour-of-duty with Olympia's OLD TIME RELIJUN.

Arrington tours constantly, and also presents workshops on improvising with the voice throughout North America, Europe, Israel and Japan. His visual art has been featured in exhibitions in Italy, New York City, Washington DC and Portland, Oregon and published in Yeti Magazine, Prism Index and The Stranger.

Artist's Website:http://www.myspace.com/arringtondedionyso

Formed in Augustus 2006 in Mons Belgium.
Petula Clarck is a two piece combo comprising of Mat (guitar & vocals) & Vinch (drums).
The band try to reach the instinctive way to create music.
One rule, just one: one hour and half to create a song. If the song is bad, it goes ...to the garbage!
If the song is good, they play it live and record it like they create it the first time.
The group has never retouched his songs and never will. No cheating, Petula Clarck
are songs created over the moment, without final improvement, spontaneous.
To be closer to its instincts, the duet plays, invents, and serves its emotions like polaroids.
It's why they like to call their music Spontrash. So they want to sharp their creativity,
using this unique rule to create funky trash blues punk disco dance hits. It's fast, melodic,
aggressive, experimental and noise but above all urgent and honest.
They play in the middle of the crowd, two dudes, one drum, one guitar and 3 amps (guitar & bass).
A fast drum creative and loud drummer combined with the vocals of Mat using voice effects,
animal screams and onomatopoeias. They played a lot (more than 200 shows) across all Europe.
The instinct never lies.